by me | por mi:

Oliver La Rosa, Jaime. “Imaginary Instruments as Musical Compositions: Schaeffer and transformations of Instrumentality in Acousmatic Music.” Submitted to Perspectives of New Music Journal.

Oliver La Rosa, Jaime. “Theremin in the Press: Instrument Remediation and Code-Instrument Transduction.” Organised Sound 23.3 (December 2018).

Oliver La Rosa, Jaime E. “Design and Appropriation in Open Source Computer Musical Instruments: A case study of the Silent Drum”. eContact!, 18.3, 2016

Oliver La Rosa, Jaime. E. (2013). Extending Space in Varèse’s Interpolations: Extended Stereo Space. Perspectives of New Music51(1), 262-269.

Oliver La Rosa, Jaime E. “Código Abierto | Obra Abierta: El Efecto de las Prácticas de Intercambio de Código en la Composición de Música”. Centro Fundación Telefónica, Caracas, Venezuela. 2012.

Oliver La Rosa, Jaime E. “Theremin in the Press: Construing Electrical Music”. Presented at the Electroacoustic Music Studies (EMS) Network Conference, Stockholm, Sweden. 2012.

Reynolds R. and Oliver, J. “SEASONS: Technical Score” Edition Peters – C. F. Peters Corporation No. 68300i, New York, USA, 2010. (available from C.F. Peters).

Oliver, J. “Puede la Computadora ser un Instrumento Musical” El Grito, Volúmen 2, Lima, Peru, 2010. ……………………………………………….……….…..

Oliver, J.  “The MANO Controller: A Video Based Hand Tracking System” Proceedings of the International Computer Music Conference, New York, USA, 2010.

Oliver, J. and Jenkins, M. “The Silent Drum Controller: A New Percussive Gestural Interface” Proceedings of the International Computer Music Conference, Belfast, UK, 2008.

by others about my work | de otros sobre mi trabajo:

Miyama C., “Pure Data for Artists” Works Corporation, Japan, 2013.


Brent, W. “Perceived Control and Mimesis in Digital Musical Instrument Performance” eContact! 14.2 — Biotechnological Performance Practice. Montréal: Canadian Electroacoustic Community. July, 2012

Brent, W. “Aspects of Gesture in Digital Musical Instrument Design” Proceedings of the Pure Data Convention, Bauhaus, Germany, 2011.

Stewart D.A. “Digital Musical Instrument Composition: Limits and Constraints” Proceedings of the Electroacoustic Music Studies Conference, Buenos Aires, Argentina, 2010.

Referenced in:

  • Pennycook B., “The impact of new media on musical creativity,” Digital Media: Technological and Social Challenges of the Interactive World, p. 187, 2011.

Interview | Entrevista

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